Eric woke up with a cold this morning so mine shouldn’t be far behind – I’m thinking
Thursday or Friday. But I’m afraid I'm just going to have to reschedule it, as there is absolutely NO time to loll about with Kleenex and TheraFlu, dozing and
reading all day. I am in full throttle over here getting ready for the book
fair which is just five weeks away. Yesterday I took on the job of repairing
the hand-colored 1834 map of Ohio, Indiana, Illinois and the settled portions of Michigan I found in the closet and showed you a couple months ago.
It’s beautiful, but almost every fold had a tear and the section by the leather
cover that protects it when its folded back to size had so many fold tears I
had to ease it onto a piece of cardboard just to transport it from place to
place. Last week I ordered from Talas, that magical wonderland of bookish equipment
in Brooklyn, the Japanese paper needed
to make the repairs. It arrived Monday, so I decided that yesterday was the day
to tackle the job.
Of course it’s one thing to talk about it and another to
actually alter a document of historical and monetary value. I had laid the map
out face-up on the cardboard to relax the folds a month or so ago, but of
course had to turn it over to work on it. This was not as easy as it sounds
due to both its fragility and the leather cover inconveniently attached at the most vulnerable
section. I could have made a sandwich and eaten half of it by the time I
succeeded in getting the map to flip because just before turning it I zeroed in on a huge little
problem. A very small section right in the middle had a vee-shaped
tear that had resulted in a hanging chad. The tip of the chad was already gone which means that what remained was
the equivalent of a partially severed limb that must remain attached
at all costs.
It did – sort of -- but things got hairy enough to actually make my heart pound. Only the outer layer of the paper was torn, not the
entire piece, so it should have been easy enough to have repasted it from the
front before I turned it over. But I couldn’t because the tear straddled the torn
fold and in one area there was a sliver of paper missing, so at that part the
repair paper was needed as backing. I ran upstairs and re-read the directions
for repairing documents I’d found online at a book conservation site, but nothing
was mentioned about hanging chads. All I could do was wing it. So I did – and almost
landed in big trouble.
I decided to repair the edge tears first and work my way in to the middle of the map which was a good move,
as I had never used Naga Uda, the thin natural colored repair paper
which costs more than seven dollars a sheet. It’s a fair sized sheet though and
I only needed a small bit, but it had none of the characteristics I expected. I
had been thinking fibrous art paper and what I got was glorified newsprint crossed
with strands of fiber. It was easy to tear though – you have to tear rather
than cut to get the strongest hold. Also, the thready edge that results from
tearing produces a softer finish, though this paper is more about utility than softness
and beauty. But at least the tearing process was old hat to me, as I do it all
the time when I play with my art papers. What was tricky was lining up the torn pieces
of map while making sure that it remained flat. Everything went well until I got
to the problem spot. Gently – oh, so gently – I lifted the little green chad
with the tip of my microspatula and eased the pasted repair paper across the torn
fold. Success!
Feeling slightly more confident I then turned the map over (easy to do
since most of the tears had been repaired) and carefully pasted the hanging
chad. In retrospect, I really should have seen coming what happened next. Any time you wet a small
piece of paper that’s hanging by a thread it’s going to fall off. Which it did. And then
I couldn’t find it. Only I HAD to find it – quick!—because it had paste on it. Seconds stretched as I carefully felt around
the face of the map with the tip of one finger. Nothing. But just as I was about to
drop to my knees and crawl around on the floor I spotted it two inches north of the map, a tiny green speck on the
workbench. Carefully, I picked it up on the tip of my finger, transferred it to
another finger so I could repaste the back (the paste seemed to dry especially
fast on the map paper), and then applied the new paste with a piece of narrow gauge
wire. All that remained was to reposition the chad in the tiny space available. But of course a snippet of paper was already missing, so it wasn’t as simple as snapping a puzzle piece into its matching shape.
For a few seconds I studied the map like a chess board, then gingerly placed
my precious piece of map where I thought
it should go ...
Dammit, dammit, DAMMIT! Close, but no cigar.
Now what? I couldn't take it off without making a worse mess and I couldn't leave it on because it didn't line up. Only one swift course of action was left to me -- jockey the wet little scrap into position without
tearing it. I think at that moment an angel assigned to map-repairing amateurs flew down to direct traffic because under my nervous hand the little green chad slid quietly one smidge to the left -- and landed perfectly
in place.
4 comments:
People don't realize the drama in a conservator's life.
Indeed they don't. It's not for the faint of heart! I have great respect for those who live through such stress. Thanks for posting.
Tess, please send the angel that was sitting on your shoulder my way. Good job!
If she shows up again, I'll send her right over. That was SOME save she gave me -- the girl's good!
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